Welcome to "How To Practice"

ABOUT HTP

How To Practise was formed in 2006 to bring new ideas on practice to musicians. We will provide the tools and information for anyone to plan and use their practice time more effectively. Our main aim is the sharing of knowledge and ideas about music practice for the improvement of all.

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WELCOME TO HOW TO PRACTISE

Site Updates and Changes

Regular visitors will have noticed that updates here have not been as frequent as usual this week. There is a very good reason for this. We are working hard behind the scenes to bring our users some new and exciting features. Instead of simply reading the site you will in future be able to get involved more, create content and use the site to actively help your practice. We'll be announcing more on the specific features in the near future.

Please continue to use and visit the site and we will resume regular updates when the new features are complete.

In the meantime . . . .

Crucial ingredient

. .the most crucial ingredient by far for success in music is . . .what happens in the practice room.

Westney, William., The Perfect Wrong Note (Amadeus Press, 2003), p.47

Master Plan

Plan your practice in detail so you are not left thinking what to do next.


Photo courtesy of Sailing Footprints

Are you one of those people that spends a lot of their practice time wondering what to do next? If so Master Plan is for you.

Immediately following your lesson (or during it if your teacher agrees) you need to write down your 'Master Plan' for that week. You should spend a little time on this as you can only do this once during the week. Any changes will need to wait until the following week - remember one plan per week. You do not want to be one of those people who spend their practice time rewriting their practice plan.

In your 'Master Plan' you should write in lots of detail exactly what you need to do for each practice session - the more detail the better. Write down which warm ups, exercises, scales, studies and pieces you will be practising along with how long you will practise them for. You should also write down next to each why you are practising them.

The final thing you need to do is to follow this plan very carefully for the following week. Do this and you are all set to make a big improvement this week.

Sight read everyday

24A simple way to improve your sight reading is to do some everyday as part of your daily routine.

How do I get a distinction?

We've had a number of questions this week about the best way to get good marks in an exam. The questions below from one young lady are typical of others we've received. I'm posting the exchange in the hope that it will be of use to all those others preparing for exams in the near future.

I have an exam (G3 flute) in a term. It seems quite a while a way, but I really want to get merit/distinction because I've never got them before.
How should I go about practising so I can get the grade I want?

Making Music by Patricia Gane

I have been aware of the Gane name for many years having met and used the trombone tutors by Peter Gane. Those books are excellent and I was looking for more of the same from Patricia.

The book comes in a very useable format - A4 in size and spiral bound so that it will open and stay flat on the music stand. The layout and design are clear and straightforward - though with modern printing techniques I always like to see some colour as this helps to highlight important points. There are numerous useable musical examples and to her credit Patricia Gane makes many of the pages available for photocopying - a must when teaching larger groups of students.

The introduction to the book covers some basics on the role of students, teachers and lessons in general. A line I particularly liked was "the lesson should be about much more than rectifying problems", a thought which follows the ethos of this site - use the time between lessons for problem solving.

The Science of Practice by Jim McCarthy

I'm very excited about this article, our first guest post. Normally I don't consider guest posts on this site as I have so much material I want to share myself. In the case of the article below I have made an exception. The information Jim McCarthy shares here is so relevant and to the point that I just had to share it. If you are a music student or teacher this is a MUST READ. Watch the videos then read the articles - your practice will benefit.

Be sure to check out Jim's site at: http://drum-clinic.com/. Or perhaps subscribe to his newsfeed at Feedburner. Finally why not check out his book for percussionists at StickTechnique.com.

The Science of Practicing a Musical Instrument - How long and How often.


Listening?

Methods for learning

There is a type of musician that has very good intentions around practice. They enjoy their lessons, listen attentively to their teacher and are enthusiastic about playing. Their problem lies in not practising the right things. The teacher describes what they need to do, they've read this site and yet still they have problems. Put simply they have a mind like a sieve - lots of information goes in but it doesn't stay there. Does this sound like you??

Whilst people are naturally able to remember things to different degrees there are things you can do to help yourself. It is also useful to understand the ways in which humans learn best and the methods of instruction you can use to put information firmly and permanently in your brain.

Take a look at the diagram. You will see a number of different ways of learning along with how much of what you are being shown/told you will remember afterwards.

HTP Video - Episode 1 - Music Practice Diary

This is the first in a series of clips dealing with the often neglected subject of music practice. In this first episode we introduce our 'Music Practice Diary'.

Whilst the video will not win any Oscars soon it will give you a much better idea of the concept and use of the Music Practice Diary.

Enjoy your practice!

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